Different sizes

The small world of a person's personal life and the big world of national and state destinies, the world of individual feelings, experiences and the world of a moving story involving the masses of the people... Aren't the mastshabs too diverse, aren't these categories inherently antagonistic, to allow for the possibility of their organic fusion in one work?

This question is, in general, of a rhetorical nature, at least because it is not difficult to find a great many examples in any of the arts to refute doubts about the naturalness and legality of such a connection. However, let's not disturb the shadows of the classics now. Let's talk about the examples offered by the panorama of films of the Tashkent Festival.

"We chose the film "There are No Saturdays without the Sun" to be shown in Tashkent," the head of the delegation, head of the Film Information Center of the Ministry of Culture, Jose Antonio Gonzalez, began the press conference, "because it is an example of how Cuban cinematography addresses one of its most important topics. Our country is forced to build socialism in difficult conditions. Ninety miles from the island is the most powerful imperialist power in the world. We were subjected to a severe economic blockade. To tell about our life today, to reveal its main pressing problems, is the most urgent task of Cuban cinematographers. "There are no Saturdays without the sun" is a picture about how Cubans build socialism in today's real conditions...

This is the political objective of the film. And at a press conference, director Manuel Herrera, a former documentary filmmaker and author of many sharp journalistic films, including a full-length film about the defeat of American mercenaries on Playa Chiron, told about how it was solved artistically. "There are no Saturdays without the Sun" is his first feature film work.

"The theme of our film," Herrera says, "is attracting special attention in Cuba today. It is dedicated to the life of the peasantry and its involvement in cooperative construction. This process should take place on a completely voluntary basis, and its main task at the current stage is the socialization of the entire land, which requires a high level of consciousness among the peasantry. So the main task of our film is to promote the growth of consciousness of the peasant masses.

We have been thinking for a long time about how to solve this problem. It was clear to us that we had to start from the real level of our viewers, who for the most part still do not have sufficient education. They need an easy-to-understand picture. But we were aware that it should be a work of art. Cumpara baterie de tractiune in Romania baterii de tractiune romania .